Artwork details
- Medium : Plexiglas With Stand
- Dimensions : Length: 4.1in, Height: 26.8in, Depth: 2.8in
About this artwork
Much of what you see there with a quick glance is just an illusion!
In fact the cylinder does not exist and the form is not permanent .... We leave you the surprise of the discovery.However, be aware that in front of this work, at home, you become the interpreter of what the artist has put there, at your disposal / you become his interpreter and give the sculpture the movements in the space that you want, harmonious or not. You keep them for a long… time or you change them often, as you wish ...
With more than 150 modular elements, this sculpture can be varied almost infinitely ...
Made in PMMA (plexiglass, HERE, ...) it can be used as a model for making larger sculptures.
In fact the cylinder does not exist and the form is not permanent .... We leave you the surprise of the discovery.However, be aware that in front of this work, at home, you become the interpreter of what the artist has put there, at your disposal / you become his interpreter and give the sculpture the movements in the space that you want, harmonious or not. You keep them for a long… time or you change them often, as you wish ...
With more than 150 modular elements, this sculpture can be varied almost infinitely ...
Made in PMMA (plexiglass, HERE, ...) it can be used as a model for making larger sculptures.
Jean Paul Boyer
France
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Credentials
- International Exposure
- Art Fair Participant
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« "With the modularity of my sculptures, the spectator/collector is no longer just "looking". They become actors. I wrote the score, they become my interpreters." »
Jean Paul Boyer’s sculptures have been exhibited throughout his native France, Europe and China. Boyer continuously questions how to work with the air, or the “void”, that surrounds the material of the sculpture. He denies having a style, and allows himself the freedom to delve into all interpretations and techniques. His process starts by fabricating a model with any material he happens to have on hand, then the works evolve using wood, metal, marble, cardboard, etc.