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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
35.4x35.4in
About this artwork
My work is built from textile materials that I prepare beforehand. Their structure, once stretched over the support, reveals a design that I do not entirely control.
Colour then comes into play to reveal this network of forms, to make it visible rather than cover it up.
In this piece, this usual process incorporates an additional step: each thread of the burlap has been cut and then re-knotted one by one.
This slow work introduces a particular… attention to what holds together, to what could fall apart — a way, on my scale, of echoing this requirement formulated by Albert Camus: to ensure that the world does not fall apart.
The materials I use—most often reclaimed textiles—already carry within them tensions, a weariness, a memory. They don't allow themselves to be molded: they resist, elude me, maintain their own directions. One must negotiate with them. As soon as they are fixed to the support, something is lost. Constrained, the material no longer moves. It flattens, deprived of the momentum that animated it. Its presence remains, but as if suspended. This is where color comes in. It acts as a developer. With color, the fibers visually detach from the background, gain depth, seem to rise and move. What appeared frozen regains its intensity, begins to evolve in space. It's not about depicting anything, but about transfiguring what is already there. Color doesn't create any form. It shifts the gaze, reveals a depth, an energy, a movement already latent. Through it, what seemed inert comes back to life.