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Each of the grey squares to the right is 5x5 cm. Installing the painting slightly higher than usual could give it a double function as a height strip, making it easy to evaluate the measurements of any intruder in the gallery space. Markers like this are common in any commercial facility, such as supermarkets or banks, with potential criminal activity. Surveillance is normalised in any modern society to the degree that we no longer… notice it. It has become an integrated part of the background in any public space. Perhaps this is necessary, but it is meaningful to consider that such surveillance markers indicate the boundaries of society. They will be evident to anyone marginalised by these standards, such as the poor and undocumented.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.