#311 Swipe 23.11.20
Cement on Wood
25x33in
$3,000
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Johan Söderström
Norway
Related collection
The Weight of Light
35 pieces
Artist highlights
- Major permanent collection
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Johan Söderström
Artwork details
- Medium : Cement on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 33.1x25.2in
About this artwork
Filler on board, pine panel
My works are cast in pine panels using standard wall filler (not cement).
This work was created by allowing one of my empty filler buckets to twist and twirl in wet filler. Once the material had fulfilled its artistic potential, the bucket remained as excess. It appears to “dance,” like a skeleton on its own grave.
Humans tend to animate dead objects. We see this in cartoons, and in the way we curse at a table after… stubbing our toes against it. On some level, we struggle to differentiate between living and non-living matter clearly. What, after all, is the true difference between a corpse and a living person?
At its core, this is a question of language. We rely on language—categories and structures—to understand reality. Yet language itself is not reality; it is not the raw, unmediated, and boundless matter of the world. Instead, we shape reality in our minds in order to grasp it. We animate it.
My works are cast in pine panels using standard wall filler (not cement).
This work was created by allowing one of my empty filler buckets to twist and twirl in wet filler. Once the material had fulfilled its artistic potential, the bucket remained as excess. It appears to “dance,” like a skeleton on its own grave.
Humans tend to animate dead objects. We see this in cartoons, and in the way we curse at a table after… stubbing our toes against it. On some level, we struggle to differentiate between living and non-living matter clearly. What, after all, is the true difference between a corpse and a living person?
At its core, this is a question of language. We rely on language—categories and structures—to understand reality. Yet language itself is not reality; it is not the raw, unmediated, and boundless matter of the world. Instead, we shape reality in our minds in order to grasp it. We animate it.
Johan Söderström
Norway
Credentials
- Major permanent collection
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.
Johan Söderström
#576 Danse Macabre
$3,000
