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This work is part of the Supports/Surfaces movement, reactivating the worn canvas of a 1960s parasol. Suspended beneath an LED light structure, the material takes on a new presence, playing with transparency, color, and the vibration of light. The past is not static: it circulates, transforms, breathes.
At the center of the artwork, a skylight acts as a focal point. Upon closer inspection, the viewer discovers a 1950s photograph of Brigitte Bardot… on the beach, radiant and carefree. This intimate, almost secret image introduces a sensitive and human dimension, far removed from the static myth.
Between object and image, memory and light, the artwork becomes a space for projection. A fragment of summer memory, a nod to reinvented vintage, inviting a gentle and nostalgic immersion, where the gaze takes the time to linger.
A multidisciplinary artist originally from Sète, my work stages reality at the tipping point between fantasy and tension, brilliance and fragility. I compose figures and environments where color, matter, and light reveal what lies beneath the surface. The question of identity runs through all of my work: the feminine, often central, oscillates between power and vulnerability, between social role and inner life. Sometimes everyday objects, bordering on abstraction, become the setting for this tension. The works are constructed through layers of paper, fabric, lace, wood, and found materials, mixed with acrylics, inks, and oil pastels. The contrasts, sometimes reinforced by black and white, establish a direct presence. The LED neon line, when it appears, acts as a luminous fracture: it exposes, underlines, and illuminates. Between figuration and abstraction, I seek a sensitive form that questions what we show and what we do.