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Other details :
Unmounted artwork. Mounting and/or framing available on request.
Dimensions :
27.6x19.7in
About this artwork
*Unstable Physiognomy* exists in the tension between abstraction and figuration. Fragmented lines, superimposed areas of color, and gestural interventions suggest a face without definitively defining it. Individual physiognomic elements—eyes, axes, contours—emerge, yet remain unstable and defy clear definition. The image oscillates between recognition and dissolution, between structure and movement. Perception becomes an active process: the face… is not predetermined but emerges in the moment of viewing, changing with each renewed approach. The language of color and form reinforces this dynamic. Luminous, sometimes aggressive lines meet raw, dark densities and earthy zones. The composition appears both impulsive and controlled, as if the image were constantly rearranging itself without reaching a final state. In this way, the work addresses identity as a fleeting, unstable condition.
In my artistic practice, I work predominantly figuratively and intuitively. My work is characterized by a dense, often deliberately overloaded visual language in which color, line, and form exist in an expressive tension with one another. Figures, signs, and surfaces overlap, creating open, emotionally charged pictorial spaces. From an art historical perspective, my work can be situated within the context of Art Brut, Naïve Art, and Neo-Expressionist figuration. My series of works do not develop linearly, but rather in parallel, reflecting different states, questions, and formal approaches. While series such as Rebels and Creatures are characterized by visual density, intense color, and gestural energy, more reduced series like Ghosts or the newly created Black Heads represent concentration and presence. With the series Abstraction it is, my work opens itself towards Expressionist abstraction while maintaining a consistent emotional connection to figuration.
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Instabile Physiognomie
Kaweh Agah
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