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I was in Berlin in the late 1980s just before Perestroika. I crossed Checkpoint Charlie regularly, going from West to East and back in the evening and it was always a strange experience to witness the contrasts of East and West. Tis image was created after the Wall came down in memory of that time. There are five colours, starting with the pink and yellow, overlaid with the main image n military grey/green and the last details of the policeman's… hat and the face of the driver reflected in the wing mirror, in brown. The notion of eye contact with a character in the interior of an image pays homage to the tradition of the 'Sprecher" in German mediaeval art - where one figure in a Crucifixion or other scene looks out at the viewer from within the canvas, inviting them to be part of the depicted scene. This work has been animated to music by Irish composer Bernard O'Neill with Paul Downing & others, available on You Tube:https://www.youtube.com/watch?v=Xt8cNpgN7Sc
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer, he publishes widely on art and aesthetics. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions. As artists, their work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Their artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity.
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