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In the 1990s I worked a lot with screenprint, influenced by Andy Warhol's technique. Generally the screenprints are planned in five or so clear colours, 'backwards' from the final image. So the first colour/shape is printed first and subsequent layers of clear uniform colour follow. The last screen is usually the 'drawing' which holds the whole image together. The subject had remarkable green eyes, which here are represented with a transparent ink… to allow the whiteness of the paper to show through. All the other inks are opaque. The final drawing was done in waxy lithographic crayon on architect's tracing paper, transferred onto a screen and then printed in brown/black to add definition to the nose, mouth and hairline.
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer he publishes widely on art and aesthetics. As an artist, his work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Hay’s artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions.