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One of a series of laminated digital prints, produced by Moorland Productions (Ken & Seetha), concerning the 19th-century Highland Clearances, an example of 'ethnic cleansing' whereby the peasant farmers were forced off their land to make way for more profitable sheep farming. The evicted peasants were consequently forced to emigrate to Canada and America. Here, the 'ghost' of the absent farmer is presented in front of his former cottage near Inverness.
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer he publishes widely on art and aesthetics. As an artist, his work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Hay’s artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions.