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One of many anatomical studies done since the 1970s, this one from the Museo della Specola in Florence, a fantastic resource for artists and medical students, containing life-size anatomical waxworks from the 18th-century. I use drawing as a way of understanding how something is constructed, whether a part of nature or another artist's work. Rather than 'copies' these drawings are studies/interpretations looking into the structure, shapes and forms… of things. Individual pencil strokes can trace the outlines of things or the internal structure/sculptural form or the surfaces of things or their movement and vitality... This detail is of a waxwork figure showing details of the head and shoulders
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer he publishes widely on art and aesthetics. As an artist, his work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Hay’s artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions.