Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
This work belongs to my Tribute To Painters series. I took from the street a poster for an exhibition dedicated to Oskar Kokoschka, reproducing one of his self-portraits. This fragment, already laden with the history of "degenerate" art, then enters into the logic of LARTBATARD, where each poster becomes material for an archaeology of the present.
On a piece of textured cotton fabric stretched over a repurposed frame, I first cover the surface… with fragments of urban posters. Then I glue, tear, and recompose the Kokoschka poster. The portrait becomes caught in a double network of hashtags: pasted paper hashtags and a hashtagging process using ink. These signs materialize the virality of our time and introduce the memory of the Holocaust, of scarred bodies, of censored artists. The Past Present questions our way of looking at history in a world saturated with images. The expressionist self-portrait becomes a palimpsest-like face where memory and contemporaneity intersect.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.