Le Baiser (2) by DomKcollage
Acrylic, Collage on Canvas
33x47in
$1,250
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Kerkhove DomKcollage
France
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Kerkhove DomKcollage
Artwork details
- Medium : Collage on Canvas , Wood
- Framing : Framing on request
- Dimensions : 31.5x31.5in
About this artwork
I created this MadeReady_Paper from a poster from the newspaper Lui, which I took from the 3rd arrondissement in Paris. Finished in my studio in Tel Aviv, this work belongs to my series Women's Bodies, Men's Views.
I didn't want to pay homage to Naomi Campbell, but to question what it means to show a Black breast in public space. Through papering, I fragment, I cover, I partially erase. The face disappears, the breasts are off-center, disrupted… by colored bands. The body becomes a site of conflict between the desiring gaze and moral judgment.
This collage embodies one of the foundations of my LARTBATARD approach: to divert, disrupt, and resist. Here, I transform an eroticized image into a critical surface. It's a way of questioning the visibility imposed on women's bodies and the way they are assigned, framed, and reduced.
I didn't want to pay homage to Naomi Campbell, but to question what it means to show a Black breast in public space. Through papering, I fragment, I cover, I partially erase. The face disappears, the breasts are off-center, disrupted… by colored bands. The body becomes a site of conflict between the desiring gaze and moral judgment.
This collage embodies one of the foundations of my LARTBATARD approach: to divert, disrupt, and resist. Here, I transform an eroticized image into a critical surface. It's a way of questioning the visibility imposed on women's bodies and the way they are assigned, framed, and reduced.
Kerkhove DomKcollage
France
Credentials
- Featured in gallery curations
- Works on commission
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
