Le Baiser (2) by DomKcollage
Acrylic, Collage on Canvas
33x47in
$1,250
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Kerkhove DomKcollage
France
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Kerkhove DomKcollage
Artwork details
- Medium : Collage, Reclaimed objects on Canvas , Wood
- Framing : Framing on request
- Dimensions : 31.5x39.4in
About this artwork
In 2018, I tore fragments from an advertising panel at the Passy metro station. In 2019, in my new studio in Dunkirk, I recombined them to create Homage to Villeglé – 2. With this MadeReadyPaper, I extend the approach of the New Realists: I don't simply frame a fragment of the city, I restructure the flat areas of color to create an urban skin, made of browns, reds, yellows, greens, and blues. Male and female faces emerge, the word "Passy" and traces…
of printing appear, like clues to a disappearing urban memory. In LARTBATARD, I seek a "beautiful bastard," born from the remnants of communication and the tension between street and institution. This collage invites the viewer to move beyond rapid scrolling and into a slow, layered gaze, where each fragment tells a piece of reality.
Kerkhove DomKcollage
France
Credentials
- Featured in gallery curations
- Works on commission
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
