State #018
Acrylic, Oil Pastel on Canvas
31x24in
$2,560
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Konstantin Danilov
Greece
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Konstantin Danilov
Artwork details
- Medium : Acrylic, Spray Paint on Paper
- Framing : Framing on request
- Dimensions : 12.6x9.4in
About this artwork
Acrylic paint and inks on Hahnemühle Cornwall paper, acid-free, cold-pressed, age-resistant, 450 g/m2.
In this piece, I explored the delicate tension between stillness and vibrancy using acrylic, spray, and ink. The soft blue field invites calm reflection, while the narrow borders of neon hues pulse with energy, creating a subtle, dynamic contrast. This artwork radiates a quiet yet compelling presence, perfect for bringing a serene yet invigorating… atmosphere to your space.
In this piece, I explored the delicate tension between stillness and vibrancy using acrylic, spray, and ink. The soft blue field invites calm reflection, while the narrow borders of neon hues pulse with energy, creating a subtle, dynamic contrast. This artwork radiates a quiet yet compelling presence, perfect for bringing a serene yet invigorating… atmosphere to your space.
Konstantin Danilov
Greece
Credentials
- Featured in gallery curations
- Works on commission
Konstantin Danilov (also known as Zmogk) is a Moscow-born painter and muralist based in Athens. His practice grew out of early work in 1990s Russian graffiti and later shifted toward studio-based painting, where color and structure became primary tools for exploring internal states shaped by lived experience.
His work focuses on boundary conditions: between inner and outer experience, stability and tension, adaptation and loss. Using layered color fields, semi-abstract landscapes, and restrained figurative traces, he examines moments of fragile balance, quiet pressure, and psychological transition over time.
A recurring method in his practice is the “active perimeter,” where the edges of the canvas function as an emotional membrane rather than a neutral frame. Color operates not decoratively, but as a carrier of pressure, memory, and slow transformation, inviting a sustained and attentive dialogue with the viewer.
His work focuses on boundary conditions: between inner and outer experience, stability and tension, adaptation and loss. Using layered color fields, semi-abstract landscapes, and restrained figurative traces, he examines moments of fragile balance, quiet pressure, and psychological transition over time.
A recurring method in his practice is the “active perimeter,” where the edges of the canvas function as an emotional membrane rather than a neutral frame. Color operates not decoratively, but as a carrier of pressure, memory, and slow transformation, inviting a sustained and attentive dialogue with the viewer.
