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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
28.6x23.9in
About this artwork
When partial information and structural understanding overlap, the whole of the subject can be grasped in its essence.
Even without directly seeing everything, that understanding can still be established.
In this series, extracted fragments and abstracted structures are presented simultaneously.
Information as personal memory or impression connects with the framework that supports the whole, allowing perception to reach the entirety of the subject.…
For example, in a book, remembering a striking passage corresponds to “Be conveyed,” while grasping the structure through something like a table of contents corresponds to “frame.”
When these two overlap, it becomes possible to understand the book as a whole.
Sharing the same title as the main series and originating
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I explore abstraction as a way to return to the act of seeing itself. By removing narrative, depth, and recognizable imagery, I allow color and form to exist on their own, without directing the viewer toward a fixed meaning.
My work is inspired by how a child first encounters the world, before things are named or defined. In that state, color and shape are experienced more freely and openly. Through painting, I seek to approach this kind of direct, intuitive perception.
In the studio, I intentionally avoid figures and narrative elements. This allows me to focus on the relationships between colors and forms. On the canvas, they interact, shift, and come alive as a dynamic presence.
The paintings do not represent something specific. They function as a space where the viewer can pause, look without expectation, and connect with their own sensations, emotions, and memories. Painting becomes a place where seeing is immediate, personal, and alive.
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Kotaro Machiyama
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