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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
21x18in
About this artwork
My work explores abstraction as a means of returning vision to its most fundamental condition. By removing elements such as depth, narrative, and predetermined meaning, I create paintings in which color and form remain as primary agents, allowing perception itself to come to the foreground.
The conceptual origin of this practice lies in the primordial gaze of an infant encountering the world for the first time, before objects are named, categorized,… or understood. In this pre linguistic state, color and form exist without hierarchy, function, or symbolic assignment. I understand this mode of perception as a foundational structure of human sensibility, one that precedes knowledge, memory, and interpretation.
Within my studio practice, I systematically eliminate figurative references and contextual markers in order to isolate the
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I explore abstraction as a way to return to the act of seeing itself. By removing narrative, depth, and recognizable imagery, I allow color and form to exist on their own, without directing the viewer toward a fixed meaning.
My work is inspired by how a child first encounters the world, before things are named or defined. In that state, color and shape are experienced more freely and openly. Through painting, I seek to approach this kind of direct, intuitive perception.
In the studio, I intentionally avoid figures and narrative elements. This allows me to focus on the relationships between colors and forms. On the canvas, they interact, shift, and come alive as a dynamic presence.
The paintings do not represent something specific. They function as a space where the viewer can pause, look without expectation, and connect with their own sensations, emotions, and memories. Painting becomes a place where seeing is immediate, personal, and alive.