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The work of art in religion is not merely an aesthetic creation, but a sacred vehicle, an extension of the soul. Each sculpture in this series is part of a spiritual language that communicates with the invisible, with the eternal, where art is worship, and worship is art: there are no boundaries between the material and the divine.
Identity is built on a profound relationship with the earth, which is not simply a territory,… but a mother, a source, and a memory, where the secrets of the orishas, the entities that personify the forces of nature and human archetypes, are kept. Humanity approaches divinity not as a lesser being, but as a conscious reflection of the sacred.
Worship is also an act of identity affirmation. In a world marked by centuries of diaspora, slavery, and displacement, it has become an invisible thread that sustains the memory and pride of a people.
José Leonardo Montiel García (MONTIEL, Cuba, 1985) is a Cuban visual artist whose work is distinguished by its profound exploration of memory, identity, and the social processes that have shaped Cuba in recent decades. His production encompasses painting, drawing, installation (assemblage), and sculpture, also incorporating experimental techniques that expand the traditional boundaries of visual language. Training From an early age, he showed an inclination for drawing and visual exploration. He trained at academic art institutions in Cuba, where he developed a solid technical foundation in composition, while also becoming interested in contemporary conceptual approaches. During his student years, his early work revolved around figurative representation, and he participated in several exhibitions and group events.