Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
The work “Monte” is articulated as a material evocation of the landscape in transformation, where nature is not a literal representation, but memory condensed in matter.
Iron oxide functions as a territory: a surface that breathes the passage of time, erosion, and the stillness of the organic in a state of ever-changing permanence. Its texture suggests terrestrial strata, emotional and geological sediments that overlap like traces of silent growth.…
The ropes emerge as lines of tension running through the composition, alluding to human intervention in the environment. While they contain, they also fragment and connect, establishing an ambiguous relationship between control and nature, order and excess.
“Monte” does not represent a landscape, but rather reconstructs it from matter: a symbolic space where the natural and the built coexist in constant friction. In its 83.5 × 115 cm format, the work presents itself as a fragment of frozen territory.
José Leonardo Montiel García (MONTIEL, Cuba, 1985) is a Cuban visual artist whose work is distinguished by its profound exploration of memory, identity, and the social processes that have shaped Cuba in recent decades. His production encompasses painting, drawing, installation (assemblage), and sculpture, also incorporating experimental techniques that expand the traditional boundaries of visual language. Training From an early age, he showed an inclination for drawing and visual exploration. He trained at academic art institutions in Cuba, where he developed a solid technical foundation in composition, while also becoming interested in contemporary conceptual approaches. During his student years, his early work revolved around figurative representation, and he participated in several exhibitions and group events.