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A drawing of tree’s in Oxleas Woods, and ancient woodland on Shooters Hill, South East London. It was known to be where highwaymen hid in these woods to raid the precious goods from the coaches on travelling along the Watling Road, from Dover, through London and leading to the North West. These exploits are mentioned in the first page of the Charles Dickens novel, A Tale of Two Cities.
In crafting this artwork, I delved deeply into the elegant… simplicity of minimalism, capturing the serene and intricate beauty of nature with nothing but a pencil. Each stroke was purposeful, intended to evoke a sense of calm and introspection. This piece represents resilience and growth, reflecting how we, much like the branches of a tree, may twist and turn yet continuously reach upward. It will bring a tranquil, thoughtful energy to any space it inhabits.
Lisa McGilben, brought up in Lancashire with a transformative stint in South Africa, creates through diverse mediums like drawing, painting, photography, printmaking and visual arts. Her style pivots around straight, constructive lines reminiscent of cubism, experiments with left-hand drawings, and is occasionally fuelled by cinematic influences, maintaining line as her crucial expressive unit. McGilben's art, a visual narrative of human form, encapsulates the complexities of personal identity and endeavors to capture the performer's immediacy, interconnectedness and human vulnerability, inviting the viewer into a contemplative space.