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In this negative image of Antoine Étex's famous stone sculpture at the Raspail family tomb in Père Lachaise Cemetery, I am less interested in the historical monument itself than in the apparition it evokes. The figure, veiled by a shroud, resembles a ghost that both reveals itself and withdraws; its true nature and form remain ambiguous. Through the reversal of tonal values, the stone suddenly glows from within, as if the statue carried its own cold… light. The openings of the tomb become dark peepholes into another dimension, from which something invisible gazes back. The negative image reverses familiar visual habits, thus intensifying the sense of an in-between space: between life and death, matter and memory, sculpture and apparition.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).