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Maristela Ribeiro

2024 • Brazil • Acrylic on Canvas

39 x 39 in

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Maristela Ribeiro

Brazil

Artist highlights

Bestseller
Established Artist
International Exposure
Featured in gallery curations
Works on commission

Discover the creation in interiors

Artwork details

Medium : Acrylic on Canvas
Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions : 39.4x39.4in

About this artwork

In this work, I capture the essence of childhood and fantasy. Using acrylics, I portray two young women immersed in their world of games, a space where reality intertwines with imagination. The figures and the use of cold, soft colors invite reflection and tranquility. My intention is to evoke purity and innocence, and for this piece to bring a serene and dreamy atmosphere to any home.

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Maristela Ribeiro

Brazil

Artist highlights

Bestseller

Discover Singulart’s most sought after artists. This section is filled with our collector’s favorites and showcases ongoing trends.
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Credentials

Established Artist
International Exposure
Featured in gallery curations
Works on commission

As a visual artist Maristela Ribeiro formulates the concept of “visual fables” and proposes images in her photographic installations in museums and urban interventions, which not only represent, but also create open narratives; These cease to be wall objects and become immersive environments, expanding the notion of image for the body of the viewer. Next, the artist photographs these interventions or installations. Therefore, Maristela's photograph first appears as a plastic material, quase sculptural, on streets and in museums, to later return to two-dimensionality in galleries and collections. In her paintings, she frequently uses childhood themes or intimate universes that evoke reflections on everyday life. The whole of their work addresses social concerns and opens a dialogue, raising questions about gender, solidarity, vulnerability, exclusion, the everyday universe and other relevant topics in contemporary society.

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