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Other details :
Artwork on cardboard. Artwork framed.
Dimensions :
26x19.7in
About this artwork
This work exists at the boundary between identity and collapse.
A face appears, yet it cannot fully remain.
The surface is built through repeated acts of construction and destruction—
ballpoint lines, covered, dissolved, and re-emerging through layers of black and white.
The image is not fixed. It resists clarity.
The eyes are unstable.
One is hollowed, the other marked—
as if perception itself has been damaged.
A vertical red line cuts through the… face like a wound or a signal.
It divides, but also connects.
It suggests both violence and prayer.
Fragments of text remain visible,
not as information, but as traces of thought—
language that failed to fully become meaning.
The figure is neither portrait nor abstraction.
It is something remembered, and at the same time, something disappearing.
This work asks:
what remains of a person when memory is unstable?
Masanobu Oda is a Japanese contemporary artist using ballpoint pen, gesso, and charcoal, with a background marked by personal loss that shapes her deeply introspective practice. Her technique layers instinctive, chance-driven pen lines with gesso, then disrupts them with white, manipulation, and alcohol, creating haunting fragments that hover between abstraction and figuration. Her art radiates silent intensity, expressing grief, forgiveness, and prayer, inviting viewers to witness vulnerability and the slow healing of memory.