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This work is the fourth in my 'Nine Men Portraits' series. It brings together nine A5 mixed-media portraits, each drawn separately and later assembled on a large white sheet. The grid is a way of composing the work, allowing a review of contrasting faces placed side by side. Some are frontal, others in profile; some are clearly drawn, others deliberately distorted, moving between observation, caricature and abstraction.
I see the central cubist… portrait as a self-portrait it is the only face signed in the ensemble. Along with the drawing placed at the top, 'Autoportrait rêvé', it is the most resolved image of the series. These two works form the of the composition, around which the other faces are arranged.
I am not interested in likeness. I draw faces as I see or imagine them, quickly and instinctively. Each portrait stands on its own, I placed them together on a large 100x70 cm paper to create a confrontation of characters.
Michel Testard wandering painter of faraway worlds
Born in Tokyo and raised in Japan and Vietnam, I later lived in Africa, the UK and for twenty years in India. These places were not stops on a journey but temporary homelands, each leaving their own colour and rhythm within me. I paint what has marked me: a bend of the Ganges at dawn, the mineral light of Ladakh, Icelandic wilderness, the twilight of Rajasthani bazaars, the meditative atmosphere of Indian classical music. At times the real shifts into the imaginary — Goan rooms opening onto the sea, murmuring jungles, humorous portraits of musicians, rajas and yogis. My style is spontaneous and expressionist, guided by intuition and shaped by colour, emotion and memory. I paint to honour the faraway worlds that continue to inhabit me.
You can also check out my Indian Chronicles, written under the pen name François-Xavier Croisy: https://asialyst.com/fr/?s=Fran%C3%A7ois+Xavier+Croisy