Water and Oil Don't Mix 3
Acrylic, Oil on Canvas
39x28in
$2,280
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Mirela Fioresy
Brazil
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Mirela Fioresy
Artwork details
- Medium : Acrylic, Reclaimed objects on Paper , Other rigid frame
- Framing : Framed
- Dimensions : 7.9x10.2in
About this artwork
This artwork is part of the ongoing series Sun-mer, which explores the experience of daylight across different cities. Each work uses two watches set to the sunrise and sunset of the city on the summer solstice, marking the span of its longest day.
Having grown up in São Paulo, where daylight never extends far into the evening, I couldn’t help but be aware of how much longer summer days can be at higher latitudes, and how these variations subtly… reshape internal rhythms and the perception of time. This one focuses on Berlin.
I intend to create a new piece only after physically spending time in each location, Each serving as both a coordinate and a record, marking when light arrives and departs. The personal experience of these temporal shifts remains privately held, absorbed rather than articulated, a quiet acknowledgment of the fleeting daylight we are given.
Mixed Medium: dip pen on paper, two altered flea-market watches.
Paper Size (H×W×D): 17×24 - Framed: 20×26×2 cm
Having grown up in São Paulo, where daylight never extends far into the evening, I couldn’t help but be aware of how much longer summer days can be at higher latitudes, and how these variations subtly… reshape internal rhythms and the perception of time. This one focuses on Berlin.
I intend to create a new piece only after physically spending time in each location, Each serving as both a coordinate and a record, marking when light arrives and departs. The personal experience of these temporal shifts remains privately held, absorbed rather than articulated, a quiet acknowledgment of the fleeting daylight we are given.
Mixed Medium: dip pen on paper, two altered flea-market watches.
Paper Size (H×W×D): 17×24 - Framed: 20×26×2 cm
Mirela Fioresy
Brazil
Credentials
- Featured in gallery curations
- Works on commission
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
Mirela Fioresy
Berlin Sun-mer
$1,150
