Discover the creation in interiors
Artwork details
- Medium : Acrylic, Reclaimed objects on Paper , Other rigid frame
- Framing : Framed
- Dimensions : 7.9x10.2in
About this artwork
This artwork is part of the ongoing series Sun-mer, which explores the experience of daylight across different cities. Each work uses two watches set to the sunrise and sunset of the city on the summer solstice, marking the span of its longest day.
Having grown up in São Paulo, where daylight never extends far into the evening, I couldn’t help but be aware of how much longer summer days can be at higher latitudes, and how these variations subtly… reshape internal rhythms and the perception of time. This one focuses on Berlin.
I intend to create a new piece only after physically spending time in each location, Each serving as both a coordinate and a record, marking when light arrives and departs. The personal experience of these temporal shifts remains privately held, absorbed rather than articulated, a quiet acknowledgment of the fleeting daylight we are given.
Mixed Medium: dip pen on paper, two altered flea-market watches.
Paper Size (H×W×D): 17×24 - Framed: 20×26×2 cm
Having grown up in São Paulo, where daylight never extends far into the evening, I couldn’t help but be aware of how much longer summer days can be at higher latitudes, and how these variations subtly… reshape internal rhythms and the perception of time. This one focuses on Berlin.
I intend to create a new piece only after physically spending time in each location, Each serving as both a coordinate and a record, marking when light arrives and departs. The personal experience of these temporal shifts remains privately held, absorbed rather than articulated, a quiet acknowledgment of the fleeting daylight we are given.
Mixed Medium: dip pen on paper, two altered flea-market watches.
Paper Size (H×W×D): 17×24 - Framed: 20×26×2 cm
Mirela Fioresy
Brazil
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Credentials
- Featured in gallery curations
- Works on commission
Currently on Germany for Exhibitions and an AIR. Artworks will be available online again from Aug-Sep.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.