Discover the creation in interiors
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 19.7x27.6in
About this artwork
Ocean Eyes is the newest work in the Water and Oil Don’t Mix series. In this painting, oil and acrylic are layered on the same surface, allowing their natural resistance to create movement, dispersion, and organic formations that cannot be fully controlled. The image expands gently across the white ground, balancing calm and tension while remaining open and luminous.
Part of a broader investigation into coexistence and separation, the series explores… how materials interact rather than merge, letting the painting emerge through negotiation instead of imposition. This piece is presented on a specially shaped canvas; listed dimensions include its outer edges.
Part of a broader investigation into coexistence and separation, the series explores… how materials interact rather than merge, letting the painting emerge through negotiation instead of imposition. This piece is presented on a specially shaped canvas; listed dimensions include its outer edges.
Mirela Fioresy
Brazil
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Credentials
- Featured in gallery curations
- Works on commission
Currently on Germany for Exhibitions and an AIR. Artworks will be available online again from Aug-Sep.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.