Discover the creation in interiors
Artwork details
- Medium : Acrylic, Pen on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 27.6x39.4in
About this artwork
Reserved for an Exhibition in Germany. 'Synapses 10' is part of the Synapses series, inspired by the collective unconscious: the invisible web of thoughts, memories, and symbols that connect us. This work is visually darker than others in the series, with tones that feel more muffled and less defined. The underlying drawings remain visible, but with softer contrasts, as if some thoughts linger just beneath the surface.
What I love about this series… is that I don’t fully control it. On this piece, the painting took on a form of its own, as if these darker tones were necessary. The Synapses series follows no guidelines, no preliminary sketches, just in-the-moment expressions that feel random and surprise me as they come to mind with each stroke of the dip pen. It reflects how ideas and symbols emerge as both fragments and patterns, weaving clarity and ambiguity together, and inviting viewers to recognize pieces of themselves within it.
What I love about this series… is that I don’t fully control it. On this piece, the painting took on a form of its own, as if these darker tones were necessary. The Synapses series follows no guidelines, no preliminary sketches, just in-the-moment expressions that feel random and surprise me as they come to mind with each stroke of the dip pen. It reflects how ideas and symbols emerge as both fragments and patterns, weaving clarity and ambiguity together, and inviting viewers to recognize pieces of themselves within it.
Mirela Fioresy
Brazil
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Credentials
- Featured in gallery curations
- Works on commission
Currently on Germany for Exhibitions and an AIR. Artworks will be available online again from Aug-Sep.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.