Time for Help: Nepal (02)
Acrylic, Oil on Canvas
31x28in
$3,110
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Mirela Fioresy
Brazil
Related collection
Rêves d’Enfance
17 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Mirela Fioresy
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 57.1x45.3in
About this artwork
*This artwork is currently unavailable as it has been pre-selected for an exhibition this year.*
Time for Help is a series portraying children from orphanages in Vietnam and Nepal, re-imagining their stories through a balance of absence and presence. I combine oil paint with liquid ink to bring both density and fluidity into the same piece. White spaces evoke the gaps of loss and the beginnings as orphans, while also suggesting possibility — what… could have been, and what can still be. Bright colors symbolize the future: hope, joy, and the light each child carries. Created over many months as the largest piece in the series, it required patience and discipline. All dip-pen work was done directly on the canvas before carefully layering oil, ensuring the ink remained pristine. It is among my most challenging works.
Time for Help is a series portraying children from orphanages in Vietnam and Nepal, re-imagining their stories through a balance of absence and presence. I combine oil paint with liquid ink to bring both density and fluidity into the same piece. White spaces evoke the gaps of loss and the beginnings as orphans, while also suggesting possibility — what… could have been, and what can still be. Bright colors symbolize the future: hope, joy, and the light each child carries. Created over many months as the largest piece in the series, it required patience and discipline. All dip-pen work was done directly on the canvas before carefully layering oil, ensuring the ink remained pristine. It is among my most challenging works.
Mirela Fioresy
Brazil
Credentials
- Featured in gallery curations
- Works on commission
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
