Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on cardboard. Framing on request.
Dimensions :
11.4x8.3in
About this artwork
This artwork reflects my perception of the ongoing clash between right and left forces in the world. I chose to depict it as a vast fire, blue and red flames colliding, while leaving the outcome uncertain, like the wind that can suddenly change direction. I’m also aware that the colors of left and right are not fixed; they shift from country to country, adding another layer of unpredictability. In that sense, this piece mirrors the instability and… complexity of the world we live in. The more we cling to one side or narrative, the more we realize how little control we actually have, like flames at the mercy of the wind, which can change at any moment.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.