Le Nomade d’Antibes
Oil on Canvas
37x25in
$1,580
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Mona Berga
France
Related collection
Exhibition Exposition de Mona Berga - artiste peintre - Mona Berga
9 pieces
Artist highlights
- Major permanent collection
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Mona Berga
Artwork details
- Medium : Oil on Canvas
- Other details : Artwork on supported wooden frame. Artwork framed.
- Dimensions : 29.9x59.8in
About this artwork
In this piece, I poured my emotions onto the canvas with bold, fluid strokes, capturing the vibrant energy of a fleeting moment in nature. The swirling colors and abstract forms evoke a sense of movement and life, inviting you to feel the serenity and chaos intertwined. This artwork will breathe dynamic spirit into any space, inspiring reflection and wonder every day.
L'expressionnisme abstrait, la célèbre école de New York et les impressionnistes… français sont les influences majeures de l’art de Mona Berga.
On peut voir qu'elle explore constamment ces deux styles de peinture avec une grande confiance. Les peintures de Mona sont généreuses de couleurs, de lumière et d'énergie.
L'expressionnisme abstrait, la célèbre école de New York et les impressionnistes… français sont les influences majeures de l’art de Mona Berga.
On peut voir qu'elle explore constamment ces deux styles de peinture avec une grande confiance. Les peintures de Mona sont généreuses de couleurs, de lumière et d'énergie.
Mona Berga
France
Credentials
- Major permanent collection
- Featured in gallery curations
- Works on commission
Mona Berga, a painter trained at the École des Beaux-Arts de Riga, draws inspiration from her vibrant international background and experiences in France and Canada. She masterfully blends Abstract Expressionism and French Impressionism, exploring both with confidence and a bold use of color, light, and energy. Through her exuberant compositions, she evokes a tremendous sense of dynamism and celebrates the rich interplay of emotion and creativity.
