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Painted from a memory of a string quartet concert in Leeds. The original image has gone through multiple iterations and obliterations, hence the heavy paintwork. The wood panel is mounted on a 'box-like' frame flush with the outer edges, to make more of a physical object rather than just a painted surface, as if the memory has been encapsulated in a box. As such it does not need a 'frame' and is ready to hang. These paintings let you float between… figuration and abstraction. There is always a figurative subject but the painting must also work as an abstract construction, independent of the subject.
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer, he publishes widely on art and aesthetics. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions. As artists, their work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Their artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity.