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In Chèque en bois, the artist explores the evolution of money in the digital era 3.0. Bank checks, framed in a wood-colored border, symbolize a bygone era. Marked with questions like "How much?" and accompanied by the word 3.0, this painting questions the viewer about the place of the check in a future where everything is becoming virtual. At a time when e-commerce is transforming our transactions, the check, once essential, is here staged as a vestige… of another era, almost like a relic in the process of disappearing.
With this work, the artist asks an essential question: What will a check be worth tomorrow? Will it be relegated to the rank of souvenir, like an ancestor of "paper money"? The sale of Chèque en bois 1 in Dubai testifies to the universal interest in this reflection on the digitalization of money and the speed with which our habits are changing.
« You have to have great music within yourself if you want to make life dance. »
Muriel Deumié is a self-taught French artist engaged in a free and instinctive process of exploration that she describes as Sanzism—a personal movement without labels or boundaries. Each work is an invitation to an inner journey: through powerful abstractions enriched with signs, symbols, or fragments of words, she deliberately leaves room for the viewer's personal interpretation.
Working primarily on canvas, Deumié boldly blends techniques and materials: acrylic in the background, spray paint, pastels, ink, oil, and collages intertwine to create vibrant and organic compositions. His universe is plural, shifting, and profoundly poetic.
She creates without a fixed direction, letting the canvas guide her, revealing an unexpected balance or controlled chaos. This intuitive, almost meditative approach gives rise to works without turbulence, but charged with emotion, silence, and hidden meaning.