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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
39.4x27.6in
About this artwork
First period of informal experiments.
There remain two foundations to be broken down according to the canons of the two Manifestos of Blackism: the designed and structured forms and the colours.
With Random Clone you get the first victory, the skeletal design disappears, there are no more graphically constructed features but the colors do not want to be incorporated into the black.
It's a violent battle, uncontrolled energy is unleashed, the black… background tries to absorb all the residual colors but still can't.
At this point, the artist's creative will is violently diverted by the natural energy of aesthetic beauty, which directs the eye toward what is pleasing. Something unnatural emerges: an uncontrolled cloning of matter that generates three-dimensional masses and structures, bursting out of the canvas. A sort of exasperated rebellion of all the hues and tones that refuse to die for a "crazy" idea.
Paolo Uttieri is a contemporary painter active since the 1970s. He began his career with Surrealism and combined painting with a solid theoretical background, which led him to publish essays on Leonardo da Vinci and Raphael in 1984. In 1988, he founded Nerismo, a pictorial movement in which black becomes a conceptual expression, generating broken lines, incomplete forms, and luminous voids. His technique, which includes oil on canvas, mixed media, and watercolor, moves from the essential figurative to the abstract and conceptual, inviting profound introspection and a confrontation with the invisible. He has held approximately 250 exhibitions in Italy and abroad and is featured in over 200 books, catalogs, encyclopedias, and important magazines. He has been praised by critics and scholars such as Vittorio Sgarbi, Paolo Levi, and Philippe Daverio. He exhibited at the Rome Triennale, as part of the 77th Venice Film Festival, and for synopses of his works at the Venice Biennale in 2022 and 2024.