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A reinterpretation of the myth of Sisyphus. A circular mass occupies the center of the composition in an unstable position, its perforated base of circles struggling to keep it upright, while a tangle of lines above impedes its movement. The story is summarized in elemental forms with symbolic character, alluding to the hardships and sorrows of the human condition.
Pedro Mora Frutos primarily uses acrylic on canvas and printmaking techniques such as woodcut, lithography, and pochoir. He trained at the University of Seville and has over 45 years of experience participating in numerous solo and group exhibitions. His style explores geometric and organic abstraction, fusing opposing currents in visually captivating and rigorously formalist pieces. His works invite a purely sensory and contemplative experience, evoking a profound aesthetic fascination and appealing to perception free from prejudice and external distractions.