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The skin always seems to be on the border between two contradictory situations, a frontier in the face of duality: inside-outside, real-imaginary, black-white, positive-negative... the border between two planes of colour and, as a consequence, the sense of complementarity between them, broken by a badly given stroke, a brushstroke that escapes and crosses the painting like a scar. Polarities that come together in its essence and, as if they were… pieces of a puzzle, form a whole. This limit is one of the attributes that have resonated most in the elaboration of this artistic project, which began at the very beginning of the confinement due to the covid-19 pandemic, a time when it was precisely forbidden to touch each other, and has been developed over the following three years. Although it could be assumed that it is a conclusive work on that experience, I do not usually put so much foresight or thought into painting, rather the opposite, reflections arise a posteriori as the work grows.
I like to group my works into series, which occur over time but are linked by a connection. Each one is a consequence of the previous one, so much so that I could almost consider the entire set as parts of the same work, investigating experiential and personal issues on which I argue the reason for the process.