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The skin always seems to be on the border between two contradictory situations, a frontier of duality: inside-outside, real-imaginary, black-white, positive-negative... the border between two planes of color and, consequently, their sense of complementarity, broken by a poorly drawn line, a brushstroke that escapes and crosses the painting like a scar. Polarities that converge in its essence and, as if they were pieces of a puzzle, form a whole.… This limit is one of the attributes that has resonated the most in the development of this artistic project, which began at the beginning of the confinement due to the COVID-19 pandemic, a time when touching was precisely prohibited. It has developed over the following three years. Although it could be assumed that it is a conclusive work on that experience, I do not usually put so much foresight or thought into painting; rather, on the contrary, reflections arise a posteriori as the work grows.
I like to group my works into series, which occur over time but are linked by a connection. Each one is a consequence of the previous one, so much so that I could almost consider the entire set as parts of the same work, investigating experiential and personal issues on which I argue the reason for the process.