La Bellezza della Natura
Digital on Paper
20x28in
$310
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Romina Petrini
Italy
Artist highlights
- Established Artist
- International Exposure
- Works on commission
Discover the creation in interiors
Other artworks by Romina Petrini
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 35.4x47.2in
About this artwork
Falcone and the anti-mafia pool
4 minutes
May 23, 2018
On May 23, 1992, Giovanni Falcone, along with his wife Francesca Morvillo, also a magistrate, and three of his bodyguards, Vito Schifani, Rocco Dicillo, and Antonio Montinaro, fell victim to the Mafia in Capaci, near Palermo. A few weeks later, on July 19, Paolo Borsellino would also die in the Via D'Amelio massacre. This marked the culmination of the escalation of Mafia violence that… had accompanied those years, during which Cosa Nostra, effectively reversing its relationship of subservience to the Mafia, had attempted to impose its law not only on the clans but also on the state. Borrowing methods from political terrorism, it had therefore turned its weapons against politicians, police, and magistrates.
4 minutes
May 23, 2018
On May 23, 1992, Giovanni Falcone, along with his wife Francesca Morvillo, also a magistrate, and three of his bodyguards, Vito Schifani, Rocco Dicillo, and Antonio Montinaro, fell victim to the Mafia in Capaci, near Palermo. A few weeks later, on July 19, Paolo Borsellino would also die in the Via D'Amelio massacre. This marked the culmination of the escalation of Mafia violence that… had accompanied those years, during which Cosa Nostra, effectively reversing its relationship of subservience to the Mafia, had attempted to impose its law not only on the clans but also on the state. Borrowing methods from political terrorism, it had therefore turned its weapons against politicians, police, and magistrates.
Romina Petrini
Italy
Credentials
- Established Artist
- International Exposure
- Works on commission
Romina Petrini's Art Pedagogy is a profound integration of academic excellence and militant ethics, inspired by Janusz Korczak. Her approach transforms painting into a manifesto that places the sacredness and rights of children at its core.
The roots of his art lie in the teachings of two great masters: Patrizio Moscardelli, from whom he learned the use of material and strong lines as languages of resistance and memory; and Cesare D'Antonio, who shaped his sensitivity to "beauty," understood as a universal ethical value and not an aesthetic goal.
Petrini's is a pedagogy of active memory: the paintbrush becomes an instrument of justice to give childhood a voice, placing the child back at the center of the cosmos as a free and immortal being.
The roots of his art lie in the teachings of two great masters: Patrizio Moscardelli, from whom he learned the use of material and strong lines as languages of resistance and memory; and Cesare D'Antonio, who shaped his sensitivity to "beauty," understood as a universal ethical value and not an aesthetic goal.
Petrini's is a pedagogy of active memory: the paintbrush becomes an instrument of justice to give childhood a voice, placing the child back at the center of the cosmos as a free and immortal being.
