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I explore deception when it takes the form of service, where the desire for closeness becomes a means of reshaping destiny from within. Here, evil is not explicit but so subtle it becomes indistinguishable from offering. In my reading of الشاهنامة, deception appears as a force that infiltrates small details, where deviation begins at the very first moment of trust.
Seema Alabdulhai, with a background in interior architectural design and a passion for conceptual installation and painting, creates artworks infused with profound philosophical inquiry. She employs a restrained palette of black, white, and coffee tones, seamlessly integrating materials like rope and clothespins to immerse viewers physically and emotionally. Her style balances structural simplicity and symbolic richness, exploring contradiction, transformation, and the thresholds of happiness. Through her evocative compositions, she conveys an invitation to quietly reflect on the dualities of existence and to seek meaning within the silences of everyday life.