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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
57.3x35.2in
About this artwork
“Painting is a place where the deep roots of existence rise to the surface.”
see1376 renders nature not as scenery but as a vertical descent into its hidden strata—the dark greens standing like rooted columns pushing through a field of muted grays. The sweeping gestures evoke a landscape built rather than observed, an inner terrain shaped by pressure, memory, and the body’s own instinctive movement.
This work proposes painting as a deep place:… a site where the unconscious surfaces through gesture, where constructed landscapes become emotional architectures. The forms feel both ancient and immediate—echoes of trunks, shadows, and the silent density of the forest floor.
Through its raw expressiveness, the piece reveals the “roots of the abyss” as something not feared but inhabited, a reminder that depth is not darkness alone but a source of energy and becoming.
« For me, painting is a space where I can be free from a world full of absurdity and oppression, and it's also a deep place. »
For Seungho Jang, painting is a way to remain human in a world that demands uniformity. Working in South Korea — a highly competitive and controlling environment — he uses abstraction to defend the depth of inner life against forces that reduce existence to efficiency.
His gestures are not decorative; they are traces of resistance. Tension, rupture, and renewal appear in layered surfaces where emotion refuses to be silenced. The canvas becomes a rare space where pressure and vulnerability can coexist without distortion.
Nature in his work stands as a counter-order — fluid, resilient, and free from imposed structure. Through fragmentation and reconstruction, Jang shows how life reorganizes itself even under collapse.
His paintings confront a fundamental question: How can we preserve the complexity of being in a world intent on flattening it? They insist that resistance begins with acknowledging one’s own presence.