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To create this work, I used a collage of nine postcards (with details of the David) and seven postcards with the hand detail, and painted the background with black acrylic paint. The nine postcards were a graphic elaboration of photographic details of Michelangelo's sculpture, with repetition in three rows of seven panels: seven times the head, seven times the genitals, and seven times the right leg. At the center of the composition is a detail of… a woman's buttocks. This elaborate postcard clearly indicates the way to represent one of the most famous sculptures: the focus is not on Renaissance beauty but on the sexual, carnal element. To criticize this way of looking at art, I simply rotated the postcards with the hand detail, thus the hand loses its marvelous beauty and transforms into a cadaverous figure.
It is part of a series of paintings dedicated to the city of Florence, where I live.
Silvio Ricci is a self-taught painter who developed his skills through occasional courses and a deep personal study of techniques from the Renaissance to Hyperrealism. He uses a wide range of media, from pencil to watercolor, and his eclectic style adapts to his work, alternating between realism, expressionism, and abstraction. Ricci explores themes ranging from landscape to literary and religious symbolism, conveying emotions that invite philosophical reflection and question the limits of freedom and inspiration.