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Other details :
Artwork on wood. Ready to hang. Framing on request.
Dimensions :
23.6x23.6in
About this artwork
The consensus in the art world is that still life painting is one of the lowest genres of art - apparently just painting household stuff lying around the house like fruit, mugs, dish cloths, dead hares, is less noble than depicting a horrific Nazi air attack on a village in the Basque region. O-K. Pliny the Elder called panel painter Peiraikos 'low' for his still life mosaic depictions of "barbers' shops, cobblers' stalls, asses, eatables and similar… subjects". Nice. Even so still-life depictions of food in Egyptian tombs were thought to become real and thus sustain the deceased in their hour of need. Nothing low about that. The Dutch popularised still life painting - 'stilleven' - with their images of flowers, napkins, mouldy cheese, stale bread. So what is the modern equivalent of a dead duck? If a still life subject is artfully positioned household detritus sprawled over your kitchen table how much lower can you go these days than the humble, but absolutely essential, phone charger?
« MODERN ART = I COULD DO THAT + YEAH BUT YOU DIDN'T. -Craig Damrauer »
Steve White, a painter based in the Netherlands, has extensively exhibited his works nationally, as well as in the United Kingdom. While he appreciates that art can stir emotions and have great meaning for people, he has a more practical approach to creation. For example, one of the tests he does for his own works is simple - he asks himself, "Would this look good over someone's sofa?". White's abstract realist compositions also combine elements of minimalism.
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21st Century Still Life: Phone Chargers
Steve White
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