Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Like the other two pieces in this mini-series of earth tones, “All the Shimmers” includes a color called “interference gold” that changes from gold to almost silver in appearance depending on the angle of light. And like its pals, this piece can hang horizontally or vertically, so these pieces offer great flexibility in possible combinations. For that reason, they don’t carry my mark on the front, though like all my work hold a full signature on… the verso.
"All That Shimmers" is acrylic on a birch panel and framed in natural basswood. It's designed so that it can hang vertically or horizontally.
My designs emerge from my soul and intuition—my sense of wonder about the natural world. My most recent abstract works explore energy and movement in the style of organic abstraction and gestural landscape. Some bring an atmospheric quality while others convey the same dynamic flow found in wood grains, veins and transparent layers in natural stone, or patterns left in a creek bed when the water ebbs.
I practice in several styles and find that one teaches the next. I began with abstract acrylics, then was drawn toward gestural landscapes. Expanding to work with encaustics introduced a biomorphic quality across all my paintings. In either medium, color, texture, and movement are the primary elements in my designs. All my pieces contain dozens of layers rich with understory. In my abstracts, I begin with a sense of play, often with no initial intent beyond exploring a color. I begin with a sense of play, then stand back to adjust guided by principles of design.