The Way to Santa Fe
Acrylic on Wood
24x38in
$2,050
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Suzanne Kubach
United States
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Suzanne Kubach
Artwork details
- Medium : Acrylic on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 24x38in
About this artwork
This piece borrows its title from a song that’s captivated me since I was too small a girl to understand its wisdom. In Fiddler on the Roof, “Sunrise, Sunset” tells the story of a father as he realizes his daughter’s grown up. He wonders where time has passed, singing of suns rising and setting as a metaphor of life’s passing days. Is this painting a sunrise, or a sunset? You decide. Both are mesmerizing, and call our attentions to life's beginnings…
and endings.
Sunrise, Sunset is acrylic painted on a birchwood panel. The panel's edges are finished in tung oil, adding the movement of woodgrain to the energy of the piece.
Sunrise, Sunset is acrylic painted on a birchwood panel. The panel's edges are finished in tung oil, adding the movement of woodgrain to the energy of the piece.
Suzanne Kubach
United States
Credentials
- Featured in gallery curations
- Works on commission
My designs emerge from my soul and intuition—my sense of wonder about the natural world. My most recent abstract works explore energy and movement in the style of organic abstraction and gestural landscape. Some bring an atmospheric quality while others convey the same dynamic flow found in wood grains, veins and transparent layers in natural stone, or patterns left in a creek bed when the water ebbs.
I practice in several styles and find that one teaches the next. I began with abstract acrylics, then was drawn toward gestural landscapes. Expanding to work with encaustics introduced a biomorphic quality across all my paintings. In either medium, color, texture, and movement are the primary elements in my designs. All my pieces contain dozens of layers rich with understory. In my abstracts, I begin with a sense of play, often with no initial intent beyond exploring a color. I begin with a sense of play, then stand back to adjust guided by principles of design.
I practice in several styles and find that one teaches the next. I began with abstract acrylics, then was drawn toward gestural landscapes. Expanding to work with encaustics introduced a biomorphic quality across all my paintings. In either medium, color, texture, and movement are the primary elements in my designs. All my pieces contain dozens of layers rich with understory. In my abstracts, I begin with a sense of play, often with no initial intent beyond exploring a color. I begin with a sense of play, then stand back to adjust guided by principles of design.
