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This series deals with the standardization of women. The figures appear childlike and yet artificial, fragile hybrids between human, toy, and symbol. They are childlike figures, representatives of a new generation growing up in a system still characterized by control, perfection, and conformity. Their bodies bear marks, ornaments, cracks: clues to origin and expectation.
The porcelain from which they appear to be modeled looks partially melted,… as if the solid form were beginning to form,
to dissolve. This moment of melting can be interpreted as a hope for change.
as a subtle indication that the system might open up, that something new could emerge.
They show that perfection can be learned, but authenticity can be passed on.
A generation that comes from Pinklandia and perhaps has the strength to leave it.
« Germany is a rich, dark, soothing green; Italy is emotion, lust, passion, dizziness. »
By using different artistic techniques and symbolic languages from different cultures, works are created that build a bridge between people of different origins. After intensively studying classic glaze oil painting, Hirschfeld has developed her own abstract-figurative formal language that plays with geometric color harmonies. She also uses this in her textile works.