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Stimulated by external forces, lines move, twist and bend, as if in an invisible current, forming vortices upon vortices. How they spin. Their strength varies.
The lines seem to rotate, like in the earth's atmosphere, they form turbulently on the paper into circular movements, change their shape and look like high and low pressure areas. Once the vortex is dissolved, it remains gone.
« When I'm in the process, I do not think. I let the process guide me. »
The German artist Uwe Beyer, born in 1959, lives in Coswig, near Dresden, and in Düsseldorf. He studied at the Burg Giebichenstein University of Art and Design in Halle (1988–1993). Uwe Beyer's paintings emerge more from mindfulness than from control. The material is allowed to move, resist, and settle. Form is not imposed but develops organically—stabilizing briefly before dissolving back into openness. Each work exists in a tension between presence and withdrawal, density and emptiness. It exists as a self-contained object while simultaneously eluding complete visibility. Instead of composing images, his practice creates the conditions for their emergence. These paintings do not represent the world. They reveal the conditions under which form – and thus reality – comes into being. What remains is not an image, but a trace of becoming.