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This round door is unique in the work; its curves and weight make it difficult to grasp, unlike the other bronze sculptures. It is a monument, barely passable, except perhaps through light. This work follows the "passage stones" in sandstone and limestone, but with a different kind of light, no longer revealing the smoothness of the sandstone's grain but rather the metallic quality characteristic of bronze, a different kind of warmth. Once again,… the dimensions of this sculpture "overwhelm" us; which must grow, it or we? To what extent does this dimension reside? Perhaps in "another" place?
Vincent Batbedat, a French sculptor and engraver, primarily works with stone, metal, and engraving, drawing on his training at the Beaux-Arts and the Académie Julian. He shapes stainless steel tubes into rigorous geometric structures, combining constructivism and movement; his art ranges from jewelry to monumental sculpture. His work, imbued with utopian ideals, blends humanity with architecture, conveying joy, smiles, and a sense of humanity in public spaces.