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Placenta explore l’origine, le lien invisible entre le corps et le devenir.
La composition se déploie à travers des champs chromatiques suspendus : une masse rouge-orangé chaude et pulsatile flotte dans la partie supérieure, contrebalancée par des profondeurs bleutées en partie basse. Ces formes sont reliées par de fragiles lignes calligraphiques — suggérant à la fois tension et continuité, rupture et attachement.
Travaillant principalement à l’encre… sur papier, je laisse le pigment se diffuser, se fondre et se déposer organiquement. La matière elle-même participe au processus, le geste demeure visible — une trace du mouvement qui enregistre la rencontre entre maîtrise et abandon.
Ancrée dans ma recherche sur les relations entre le corps, l’espace et l’émotion, Placenta devient une cartographie de l’origine. L’œuvre évoque un paysage primordial où la structure émerge de la fluidité, où vulnérabilité et force coexistent.
My work explores the relationships between movement and color, between intention and spontaneity. Through a pictorial practice centered on the trace, I investigate the moment when gesture becomes imprint, when emotion settles into matter. Trained in fine arts, interior architecture, and relational psychomotricity, my approach lies at the intersection of body, space, and affect. Creation is conceived as a sensorimotor process, in which gesture responds both to an inner necessity and to an attentive listening to the living. Working with Ecoline ink on cardboard paper, I explore transparency, light, and the chromatic spectrum. My works unfold as cartographies of inner landscapes, abstraction with references to scientific imaging, within a constant tension between instinct and structure, control and serendipity. Influenced by the Bauhaus, the Cobra movement, and Arno Stern's research on “Formulation,” I consider the trace as a semantics of gesture.
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Placenta
Alexandra Briois
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