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Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
19.7x39.4in
About this artwork
My practice is defined by a relentless search for the raw emotion found in nature's liminal moments—the precise boundary where a day ends and the celestial takes over. In Velvet Horizon, I didn't want to just paint a sunset; I wanted to build it, layer by layer, until the viewer could feel the friction of the sky against the earth.
To achieve this, I turned to the tactile versatility of cold wax medium blended with traditional oils. This combination… allows me to work with an exceptional thickness, carving into the surface and building a literal topography of color. For this piece, I pushed the texture to its limit, creating a tactile contrast between the rugged, dark landforms and the luminous, radiating heat of the sky.
The composition centers on a violent burst of gold and ochre, tearing through a sky of deepest violet and magenta. I think of the cold wax as 'sculpting light'—it gives the pigments a rich, matte, velvet-like finish that diffuses and catches light simultaneously.
I am a self-taught oil painter based in the UK, working in oil on canvas. I returned to painting after a long break and found my way back through light — specifically that charged, fleeting quality at the horizon when the sky does something unexpected and the world becomes briefly more itself than usual. My paintings are not records of specific places. They are emotional responses to atmospheric moments — the colour of a sky ten minutes before a storm, the way a low moon turns water briefly unbearable, the strip of gold at the horizon just before the sun disappears. I build light in layers, thin oil glazes that accumulate depth over time. I work with soft edges and a palette that prioritises emotional truth over literal accuracy. If the sky needs to be more purple, it is more purple. My paintings are for people who have stood at the edge of the sea and felt something they couldn't quite name. I am trying to name it.