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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
7.9x7.9in
About this artwork
This work is one of the first to have architecture as its theme. It was digitized and printed in large format. The prints were presented at architecture and design fairs in Europe. The work itself remained in the studio.
Fred Michiels has been represented by the Antwerp gallery Eva Steynen since 2011 and by The Office of Useless Art since 2017, which publishes his poetry collections and pamphlets.
His large-format transparent book is part of the… collections of the Van Abbe Museum in Eindhoven and the Centre Pompidou in Paris, among others. The Hendrik Conscience Heritage Library in Antwerp holds all of his publications.
The magazine "Temporarily Useful Zones" has dedicated several poster fanzines to the work of Fred Michiels. The latest issue is a collaboration between Michiels and the French poet Heptanes Fraxion (Toulouse). A collaboration with the writer Anne Letoré (Lille) is also on the agenda.
Trained at the Fine Arts School of Antwerp and the Cooper Union in New York, Fred Michiels is a lover of the nuanced subtlety of color. He masters multiple, layered abstract layers achieved through overpainting, incorporating influences from minimalism and abstraction. His works, constructed and planned, are a dance between revelation and concealment, inciting curiosity and uncertainty in the viewer. This visual adventure delivers a sense of subversive uncertainty, where the intensity of color captures attention, provoking a questioning of what is hidden. Fred Michiels has been represented by the Antwerp gallery Eva Steynen since 2011. He has exhibited with them at fairs in Cologne, Berlin, Rotterdam, Luxembourg and Brussels, among others.