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Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
31.5x47.2in
About this artwork
“People are fewer
Than the space,
But more than a time.
That’s why everything eventually becomes a city.”
This is a conceptual work by Garry Arzumanyan, an artist
mostly working in a surreal seascape genre, whose works substantially
reflect the issues of the climate change, to which the attention of
observers is constantly attracted. The global ocean level rise, restricted
drinking water resources, all these global issues directly affect the life… of a
human being, and this mutual influence is perceived and presented
through analyzing and depicting it in his art, through a prism of an
individual existential dualism.
Executed using museum-quality oil paints (Rembrandt and Master Class) on museum-quality linen canvas (Belle Arti)
Actual size of this artwork is about 150*100cm, stretched on wooden frame - 120*80cm. Ships from Netherlands.
« Many people think I paint the sea, water, and the ocean. I don't really depict it. I depict humans, using the sea, water, and the ocean with other nautical imageries. »
Garry Arzumanyan is a visual artist specializing mainly in surreal seascapes, whose works explore profound global and existential issues. Through his art, he examines the dynamic relationship between individuals and society, highlighting the perpetual confrontation where the individual often succumbs to societal forces. Yet, this very conflict becomes a catalyst for societal development.
His paintings, shaped by a prism of existential dualism, delve into themes of human solitude, egotism, and the transformation of love’s ideology within society into a philosophy of pleasure. Merging seascapes with neo-expressive forms and surrealism, Arzumanyan uses his art to analyze the world’s ecological, socio-psychological, and economic challenges.