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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
83.9x70.5in
About this artwork
Acrylic and Oil on Canvas
unique
Hand-signed by artist
Verso
Frame included
Condition: Very Good
This monumental work by Harold Cohen, painted in 1964, marks the peak of his artistic prowess. Within the next few years, Cohen gained international acclaim, held a famous solo retrospective at Whitechapel Art Gallery in 1965, and represented the UK at the 33rd Venice Biennale in 1966. His work from this period, described by critic Andrew Forge as "painting… about the meaning of painting," embodies the "paradoxes" of fluctuating texture and fragmentary line. In 1967, critic Gene Baro praised Cohen's pieces for their "overallness" and "unitary impact." The recent re-discovery of Cohen and his AI painting exhibition at the Whitney in New York has revived his recognition. This painting is a decisive piece from a pivotal figure in Britain’s 1960s art renaissance.
Harold Cohen was a British-born American-based artist, renowned for his pioneering work in computer-generated art stemming from his accomplished painter background. Employing algorithmic precision alongside a traditional painter’s sensibility, his techniques bridged the gap between the tactile and the digital, crafting styles that resonated with the nuanced syntax of human creativity. His artworks convey a sense of wonder and contemplation, as they explore the intricate dance between human expression and machine learning.